Your have a strong photographic eye. You successfully see your subject matter as form. This is most apparent in the photograph of the branches and the photograph of the wood planks. Try to push your compositions even further. Exaggerate the negative space. Allow the frame edge to become a compositional device. What happens, for instance, when the frame edge bisects an object. You have strong vision. Now take more risks.
Your have a strong photographic eye. You successfully see your subject matter as form. This is most apparent in the photograph of the branches and the photograph of the wood planks. Try to push your compositions even further. Exaggerate the negative space. Allow the frame edge to become a compositional device. What happens, for instance, when the frame edge bisects an object. You have strong vision. Now take more risks.
ReplyDelete